A concurrent reading of "Cranford" and "Scenes of Clerical Life"
Addressing Gen Z complaints about Elizabeth Strout’s Booker Prize contender
Michelle de Kretser Looks for New Forms But Elif Batuman Has Already Been There
A Supplement to "Ishiguro & Murakami Float Ideas on the River of Metaphor"
Analyzing "An Artist of the Floating of the Floating World" on Haruki Murakami's Terms and "Killing Commendatore" on Kazuo Ishiguro's Terms
Confidence as America’s Chief Export in Henry James and Barbara Kingsolver
What Nick Hornby and Michael Frayn Taught Me About the Artistic Life
Alexander Chee’s "The Queen of the Night" Channels the Grand Silliness of Opera
"God Help the Child" as Unofficial Sequel to "The Bluest Eye"
Haruki Murakami at the Height of His Powers
Does Gabriela Cabezón Cámara Let a Transgender Colonialist Off the Hook?
Edition Anxiety and Haruki Murakami's "Hard-Boiled Wonderland and the End of the World"
A.S. Byatt Dramatizes the Tantalizing Drudgery of Research
"What We Can Know" Is a Damning Tell-all Biography of Our Reckless Generation
Literary Genius or Snake Oil Salesman?
Longform Literary Intersections
